
Born in 1965 in Derby, England, Tracie got her start when she responded to an advertisement a certain Paul Weller had placed in the pop magazine Smash Hits. Paul was looking for new artists to sign to his burgeoning Respond Records label, so when Tracie sent in her demo cassette the wheels were quickly in motion. Although she was just child, the schoolgirl from Essex had the voice of a soul diva trapped in the body of a white girl -- something far more unusual back then in the days before Christina Aguilera, Joss Stone and Natasha Bedingfield burst onto the scene. Weller was duly impressed.
By then, already besotted by all things Motown, Paul was putting his Mod days behind him and needed a strong female voice to back him up on The Jam's soul-based farewell single, "Beat Surrender." The pairing was a huge success and the song debuted at No. 1 back in '82, and served as Tracie Young's introduction the world. In early '83, she gave another stellar performance on Weller's new band's debut single, "Speak Like a Child," a No. 4 hit by the Style Council. (How many one-hit wonders can claim achievements like this?)
By spring '83, her aforementioned debut single -- "The House That Jack Built" (penned by Paul Barry and John Robinson of the Questions) had become a huge hit, and the fresh-faced girl with the big voice was all over the place. Tracie'd become a regular "overnight sensation." As work got under way on her long-play debut with Weller at the helm, a stop-gap single, "Give It Some Emotion" (a personal favorite of mine), was released, charting at a more modest No. 24.
It was a disappointment, but it kept her on the radio and, more importantly, on Top of the Pops. Unfortunately, it also keep her in the pop magazines where she began to alienate some fans by developing a bit of an attitude -- perhaps not that surprising from a small-town girl suddenly enjoying instant fame (can you say Terence Trent D'Arby?) -- dissing the likes of Simon LeBon, Boy George and Nena. Back in the studio, the LP "Far From the Hurting Kind" was taking shape, and with a slew of songs penned by Weller himself, Barry/Robinson, plus a beautiful new ballad Elvis Costello contributed to the project -- "(I Love You) When You Sleep)" -- the album seemed like a sure-fire hit. But as Young later explained, tensions were brewing behind the scenes: Weller insisted on leaving her two previous chart hits off the album ("The House That Jack Built" and "Give It Some Emotion" had already been on "Love the Reason" in 1983, which featured a selection of songs from Respond's roster of artists), and then she and Weller butted heads over what should be the first single. (She remains convinced that the title track would have been a definite hit while Paul wanted "Nothing Happens Here but You. In the end "Souls on Fire" was the compromise and it bombed.) The end result wound up being something Tracie was not entirely happy with, and it stalled at No. 64 on the U.K. charts. Devoted fans, however, were delighted. With a wonderful variety of pop, soul, dance and ballads, (The Tracie-chosen cover of "Thank You," an old Martha Reeves song, was a highlight.) I quickly counted it -- along with "Cafe Bleu" and "Talk Show" -- as one of my favorites of '84. Tracie managed to bounce back with a lovely backing vocal on the Style Council's single "The Boy Who Cried Wolf" off of 1985's "Our Favorite Shop," and she continued to record with the intention of releasing a sophomore album. (By now I believe Respond was going under and Polydor was distributing her music, which only complicated matters.) But when subsequent singles produced diminishing returns -- the spectacular "I Can't Leave You Alone" peaked at No. 60 and "Invitation," "(When You) Call Me" and "We Should Be Together" failed to even chart -- the album was scrapped entirely and, sadly, a "devastated" Tracie called it a career.

UPDATE 06/29/09: Since writing this post, I have been completely inundated with e-mails from fellow Tracie fans. It's been a real treat hearing from all of you. As many of you may know, Tracie came out of "retirement" and performed a live set on June 6. 2009, at Shepherds Bush Empire (opening for Billy Franks) -- and would you believe that she contacted none other than YOURS TRULY to get MP3s of her old songs in order to prepare for the gig? (What a doll -- we've become great online pen pals in recent months.) The most exciting news of all, however, is that Tracie recently re-acquired ownership of her back catalogue and has begun releasing her material (some of it previously unreleased). Anyone looking to purchase Tracie's music can now go straight to her MySpace page HERE and she will be properly compensated for her works. I've already picked up her first EP, "It Happened One Night ... and other songs" and I must tell you the acoustic radio session take of "Give It Some Emotion" may just be the definitive version of this wonderful song. Welcome back, Tracie. And keep those songs from the scrapped second LP coming!!!
UPDATE 04/06/10: Join the official Tracie Facebook Fan Page HERE.
UPDATE 04/22/10: Read about my dinner with Tracie in New York City HERE.
UPDATE: 08/16/10: Cherry Pop has reissued "Far From the Hurting Kind" -- complete with a dozen bonus tracks plus liner notes by Tracie herself. Check it out HERE.

"FAR FROM THE HURTING KIND" (Japanese edition) / Includes: "(I Love You) When You Sleep"; "Souls on Fire"; "Nothing Happens Here but You"; "I Can't Hold on Till Summer"; "Dr. Love"; "Thank You"; "Moving Together"; "Spring, Summer, Autumn"; "What Did I Hear You Say"; "Far From the Hurting Kind"; "I Can't Hold on Till Summer" (without strings); "Thank You" (instrumental); "Fingers Crossed" (heartbeat demo); "Fingers Crossed"; "I Think You're Lucky"; "Far From the Hurting Kind" (early track 1); "Far From the Hurting Kind" (early track 2)


"BEYOND THE HURTING KIND" / Includes: "The House That Jack Built"; "Give It Some Emotion"; "I Can't Leave You Alone"; "Invitation"; "We Should Be Together"; "(When You) Call Me" (extended); "The Boy Hairdresser"; "You Must Be Kidding"; "Same Feelings Without the Emotions"; "The Country Code"; "Find It in Your Nature"; "Italian Girl"; "Mama Never Told Me" (with The Questions); "Give It Some Emotion" (extended); "Souls on Fire" (long version); "Moving Together" (club mix); "I Can't Leave You Alone" (Pick 'n' Mix); "Invitation" (RSVP mix); "We Should Be Together" (the Jezamix); "Harvest for the World" (with The Style Council and The Questions); "19" (The Wickham Mix); "Souls on Fire" (single edit); "Tracie Talks"; "Tracie Raps"; "Nothing Happens Here but You" (2008 version)
1 comment:
They should have gone with "What Did I Hear You Say" I think....
Hearing the vinyl rip with my own EQ, the bass guitar work is really sounding awesome on all of it. Not too keen on the drumming. Title track has good drumming. Sadly the only one in my opinion....
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