The forthcoming single, "Anna Lee (Sweetheart of the Sun)," is pure delight, much like "Tear Off Your Own Head (It's a Doll Revolution)" was on the band's initial reunion album in 2003, only this one's penned by the group. (The sound is more EP than "Everything.") It was shame that the label -- or the band? -- relied on so many covers and outside writers and co-writers for the group's singles when the bulk of the albums were written by these incredibly talented women, including fan favorites "Hero Takes a Fall," "James," "Dover Beach," "Following" and "Bell Jar." ("Bell Jar" is Belinda Carlisle's favorite Bangles song, btw!) If the rest of the album is even half as interesting as the single -- and the recently released artwork -- we may have a winner.
Monday, August 22, 2011
Music Box: The Bangles
The forthcoming single, "Anna Lee (Sweetheart of the Sun)," is pure delight, much like "Tear Off Your Own Head (It's a Doll Revolution)" was on the band's initial reunion album in 2003, only this one's penned by the group. (The sound is more EP than "Everything.") It was shame that the label -- or the band? -- relied on so many covers and outside writers and co-writers for the group's singles when the bulk of the albums were written by these incredibly talented women, including fan favorites "Hero Takes a Fall," "James," "Dover Beach," "Following" and "Bell Jar." ("Bell Jar" is Belinda Carlisle's favorite Bangles song, btw!) If the rest of the album is even half as interesting as the single -- and the recently released artwork -- we may have a winner.
Posted by Kenneth M. Walsh at 10:00 AM 4 comments
Labels:
bangles,
debbi peterson,
music box,
susanna hoffs,
vicki peterson
Thursday, April 02, 2009
Music Box: Eddie Money
Wednesday, January 07, 2009
Music Box: Tom Tom Club
I still remember how excited I was when I got the debut album by the Tom Tom Club for Christmas in 1982. It was wrapped along with Yaz's "Upstairs at Eric's," the Scandal EP (with "Goodbye to You"), and Toronto's "Get It on Credit," which I had stupidly asked for after being sucked in by their MTV hit "Your Daddy Don't Know." But it was Tina Weymouth and Chris Franz's side project -- along with Tina's sisters Lani and Laura and an exciting group of other musicians -- that most intrigued me. After hearing "Genius of Love" I was convinced I'd found my next "fave band ever," and for a short while there they pretty much were. While I'd always liked Talking Heads, the idea of Heads caliber music but with chicks singing (and not so serious!) was just what the music doctor ordered. "Wordy Rappinghood" -- with its opening typewriter "chords" and playful refrain ("What are words worth? WORDS!") -- quickly became my second favorite rap song ever (sorry, Tina. Blondie will always be on top!). And the mysterious "As Above, So Below" and "Loralei," plus the anthemic "On, On, On, On ..." and 10th-grade French lesson "L'Elephant" made for a wonderfully fun and breezy debut, cementing the Tom Tom Club's status in my heart.
Next up, the band released a stopgap a cover of "Under the Boardwalk," which was more fun than a day at the beach (admittedly I hate sand and have a thing for covers sung by the opposite sex of the original recording artist)."I tell you he was a masterpiece ..."
Striking while the iron was hot, the Tom Tom Club released their sophomore album, "Close to the Bone," in 1983. While it was inevitable that following up such an offbeat and eclectic debut would be difficult, in a lot of ways "Close to the Bone" was the "King" to Belly's "Star": fewer "big" moments, but a much more solid and satisfying effort. The album's lead-off single, "The Man With the 4-Way Hips," kept the party going. Its even better follow-up, "Pleasure of Love," picked up where "Genius of Love" left off (it, too, has been sampled over the years). "On the Line Again," "Measure Up" and "Never Took a Penny" were as good as or better than anything they would ever do, and the album also included the ERA anthem "This Is a Foxy World," which I think may well be their best song to date. The band didn't record again until 1988 and by then they'd moved in a different direction. The albums were less about the Weymouth sisters singing and more about funky experimentation. Occasionally they'd catch my ear again -- "Suboceana" with its "boom boom chi boom boom" refrain and nice covers of Velvet Underground's "Femme Fatale" and Hot Chcolate's "You Sexy Thing" -- but for the most part, to me, the band will always be those two glorious albums that came out during that exciting moment in music history that was the early 1980s.
While the band's label, Sire, did a loving job issuing the debut album on CD -- complete with three remixes and the "Under the Boardwalk" single -- they never even bothered to release "Close to the Bone." Therefore, in my never-ending role as the Robin Hood of '80s music (sort of?), I am making available to you MP3s ripped from my very own vinyl collection, complete with bonus tracks (from a 12-inch single) and homemade artwork (in case you're like me and prefer to make a CD). The sound's not perfect, but not having this album at all is far more imperfect. If interested, please e-mail me HERE (put Tom Tom Club in the subject). (This is a limited time offer, until the Feds or, better yet, Tina!, threaten me with legal action.)
(Artwork by Greg Jelinek)Wednesday, February 22, 2012
Music Box: 'Words and Music by Saint Etienne'
We got our first taste of the new Saint Etienne album last month when "Tonight" was made available on the Internet. Now details about the group's first album in seven years are here, too. "Words and Music by Saint Etienne" (available for pre-order now HERE) will be released on May 21st in multiple formats (duh -- it's Saint
Cashing-in Etienne), with this note from Sarah, Bob and Pete arriving in my in-box yesterday:
Do you remember that special alchemy that transforms even the most mundane of experiences - walking home with the headphones on at night, sitting in a bedroom with your friends in the day, getting ready to go out on the weekend - into a lingering moment of seamless enchantment, one that resonates for the rest of your life?
Our new album, Words and Music by Saint Etienne, is about that.
About how music affects your life.
How it defines the way you see the world as a child.
How it can get you through bad times in unexpected ways.
How songs you've known all your life can suddenly develop a new attachment and hurt every time you hear them.
More than how it affects and reflects your life though, the album is about believing in music, living your life by its rules.
See you soon
Love,
Sarah, Bob and Pete xxx
The album will be released on 21st May on CD, 2-CD Deluxe Edition, LP and a special boxset version. The tracklist is:
Wednesday, December 03, 2008
Music Box: Brookville
Whether he's operating as one-third of Ivy, one-fourth of Paco, or solo under the moniker of Brookville, Andy Chase is consistently writing, playing and producing a low-key brand of music that's always catchy, always intelligent and always makes me want to hear more. (I wonder if his citing Blondie, Prefab Sprout, the Go-Betweens and Everything But the Girl as influences has anything to do with my hero worship feelings for him, or his being kinda cute?)
His delightful wife Dominique Durand handles most of the vocals in their group projects, so it was his Brookville albums -- 2003's "Wonderfully Nothing" and 2005's "Life in the Shade" -- that I felt like I got to know him best, on which he mixes atmospheric instrumentals and infectious Euro-romantic pop songs, If you're looking for a place to start, check out "Summer Parade" and "This is How It Ends," two songs that my iPod -- and my ears -- seem to love coming back to over and over again. Or check out the video for "Nothing's Meant to Last" below.
I've had Brookville on the brain this week because I saw on the official MySpace page that there's a new album on the way and three New York gigs have been booked -- Dec. 11 at Union Hall; Dec. 18 at Arlene's Grocery; and Dec. 19 at Rockwood Music Hall. For details, click HERE. I can hardly wait -- Liza and Andy in one week, who needs presents?
Wednesday, February 25, 2009
Music Box: Gender ReasSONGment
With the release of "War Child presents Heroes," a new album of cover songs to benefit children affected by war that features Duffy doing the Wings classic "Live and Let Die," it got me thinking of some of my all-time favorite gender-bending covers. While I understand why some people think covers are an cop out, I've always felt there's something magical about a transgender cover, the way the new point of view always makes me hear the song as if it were completely new. (How often do you get to fall in a love with the same thing twice?) Occasionally, I will know the "new" version first -- as in the case of Blondie's "Tide Is High" -- and will enjoy discovering it in reverse (an equally thrilling proposition).
Off the top of my head, I came up with this list of winning gender-reassigned cover tunes. While I prefer female vocalists, there are a few FTM songs that might surprise you. Now tell me some of yours.
"Crimson and Clover" (Tommy James and the Shondells)
Joan Jett and the Blackhearts
Arguably the greatest cover song of all time.
"Tougher Than the Rest" (Bruce Springsteen)
Everything But the Girl
My favorite song from my favorite Bruce album, "Tunnel of Love."
"All I Want" (Lightning Seeds)
Susanna Hoffs
"The Tide Is High" (The Paragons)
Blondie
This clip uses the original 1965 Paragons version and sets it to the 1980 video of Debbie Harry & Co.
"(They Long to Be) Close to You" (Carpenters)
Paul Weller
"Don't Worry Baby" (Beach Boys)
Ronnie Spector
Brian Wilson apparently wrote this song for Ronnie, but Phil Spector wouldn't allow her to record it (so the Beach Boys did). She finally got to do it as a solo artist many years later.
Olivia Newton-John
Hard core Dylan fans make fun of this, but I still say it's the definitive version of this masterpiece.
"You've Got a Friend" (Carole King)
James Taylor
"When You Were Mine" (Prince)
Cyndi Lauper
"Baby, I Love You" (Ronettes)
Andy Kim
Thought of as a one-hit wonder for the 1974 No. 1 smash "Rock Me Gently," the Montreal-born Andy Kim actually had a Top 10 hit with this rollicking cover of the Ronettes' "Baby, I Love You," making the song all his.
"Stormtrooper in Drag" (Gary Numan)
Saint Etienne
"I Don't Want to Spoil the Party" (Beatles)
Rosanne Cash
"September Gurls" (Big Star)
Bangles
How the girls could let Michael Steele sing lead on this pop gem but REMOVE the line "I was your butch"(!) is one of the great mysteries of pop music.
"You Just Haven't Earned It Yet, Baby" (Smiths)
Kirsty MacColl
"(Don't Go Back to) Rockville" (REM)
Natalie Merchant
"I Want You" (Marvin Gaye)
Madonna
Working with the incredible Massive Attack, Madonna was never more sensual.
"The Scientist" (Coldplay)
Aimee Mann
"Out of Control" (Rolling Stones)
Pal Shazar (download HERE)
"Hazy Shade of Winter" (Simon and Garfunkel)
The Bangles
"For What It's Worth" (Buffalo Springfield)
Holly Beth Vincent
"The First Cut Is the Deepest" (Cat Stevens)
Sheryl Crow
"My Guy" (Madness)
Tracey Ullman
Turning a girl into a guy, Tracey Ullman rode this Madness favorite to No. 23 on the U.K. charts back in 1984.
"Femme Fatale" (Velvet Underground)
Tracey Thorn
"I'll Keep It With Mine" (Bob Dylan)
Susanna Hoffs
"These Days" (Jackson Browne)
Nico
"Long Train Running" (Doobie Brothers)
Bananarama
I was never a fan of Doobie Brothers music, but after hearing this Youth-produced track by the Nanas, I sure was.
Posted by Kenneth M. Walsh at 10:00 AM 7 comments
Labels:
bangles,
blondie,
Kirsty MacColl,
music box,
Song of the Day,
susanna hoffs
Wednesday, July 22, 2009
Music Box: Everything but the Girl
When I thought about writing this post about Everything but the Girl, I was trying to figure out the right way to frame it. As regular readers know, Blondie has long held the No. 1 spot on list of favorites bands. But to say that omits a huge chapter of the book, a time when it seemed like nothing was real but The Girl. It began when Blondie split up in the early '80s. The Pretenders were my backup band, but after a thrilling post-tragedy return to form on "Learning to Crawl," the "band" became a revolving cast of characters that backed up Chrissie Hynde, and the music suffered from it.
It was around the same time this band -- albeit a modest duo -- went from being a group I liked (I'd discovered "Each and Every One" on Rock Over London when I was in high school) to being my "current" fave, catapulted to the top with the release of their epic "Baby, the Stars Shine Bright" in 1986, a stark collection of songs about love, loss, loneliness and betrayal. (You have not lived until you've heard "Sugar Finney (for Marilyn Monroe)," "Cross My Heart," or "Don't Let the Teardrops Rust Your Shining Heart") If the bossa nova and alt-country influences of their earlier albums made me a fan, this lushly orchestrated masterpiece put me under a complete spell that would literally go on for years. (I'm not going to lie, I was obsessed. In my defense, they made it awfully hard for a true fan not to be, what with their endless gatefold singles, rare b-sides and obscure collaborations.) When I finally got my first CD player in 1990 I quickly found imports of EBTG's first three albums at a record store at South Coast Plaza in Costa Mesa, Calif., not far from where I was living when I took my first post-college job at The Orange County Register. (I was only making $23,5000, so these $30 CDs -- 90 bucks total -- were a major expense, but one from which I would get my money's worth.) Because I worked nights and weekends (sound familiar? I pride myself on never having had to start work before noon in my life!), I was allowed to bring my "boom box" into the newsroom, and I would play those three CDs on repeat all night for the course of my shift. If my co-worker Mike minded, he never let on. And Lois definitely became a fan as I remember her going out and buying some of their albums on her own -- like she needed to hear them more often!
By then I'd gotten "Idlewild" and "The Language of Life," and would occasionally find myself living my life as if it were a musical set to EBTG songs. (Another Derek-induced heartache? I'd break into "Take Me": "Baby, baby, baby. I'm lonely can't you see? ... ) Seriously. It was that same year that the HUGE news came that the band was touring America. It was a moment I'd waited years for, so I rushed out to the mall to get tickets. (Remember when you had to go a box office at a department store?! I miss you, Dillard's.)
Mark, my best friend with whom I'd been crashing until I found a place of my own, kindly agreed to go along, and even drove us up to the Wiltern, a glorious Art Deco theater on Wilshire Boulevard in the Koreatown section of Los Angeles. (Mark and I would also end up seeing Pat Benatar on her "True Love" tour that summer at the Wiltern.) While I know I'm prone to hyperbole, I truly cannot remember being this excited at a concert before. Our seats were nowhere near the front, but I was certain Tracey was singing directly to me, and I just remember being so happy to finally have this event happen. (OK, some people have loftier goals -- jobs, marriage, children -- what can I say, I was beside myself.)
After I moved back East, I had a second chance to see them, this time at the equally gorgeous Lincoln Theatre, located on "Washington's black Broadway." (It served the city's black community when segregation kept them out of other venues,) This time, I had a more-than-willing co-conspirator in my co-worker Paula Bohan, and again I was beside myself with excitement. (When Tracey did one of the songs she'd recently recorded with Massive Attack, "Protection," I thought I'd die on the spot!) Truth for told though, at this point fans were lucky the band was even around as Ben Watt had nearly died after coming down with a rare life-threatening auto-immune disease (Churg-Strauss syndrome). But they were on the road again to promote "Amplified Heart," which was a beauty of a "comeback," and one that would propel them to international stardom as "dance" artists as a result of Todd Terry's inventive revisioning of the single "Missing." (That original version of that song and the rest of the album were actually very low-key and acoustic. Richard Thompson even contributed guitar.) While the new "direction" this dance exposure took them was something I enjoyed, it definitely ranks on the lower end of their work.
The band essentially called it quits after touring for "Tempermental" in 1999 (a show at the Hammerstein Ballroom that I missed because I went home for Thanksgiving that year). But somewhat ironically, that was THE SAME YEAR Blondie returned with "No Exit," their first album in 17 years. And instead, I saw them live FOR THE FIRST TIME ever, at Madison Square Garden with my friend Leah. Was it was the music gods not wanting my heart to have to decide between my two favorite bands? Perhaps. But even though EBTG dropped off the face of the earth when the new century rolled around, the Internet only fueled my obsessive collecting habits -- and THANKFULLY led to my FINALLY getting my hands on every known recording of theirs, including the Holy Grail of Ben and Tracey work, Tracey's collaboration with James McMillan covering "Over the Rainbow." (It's funny that these two would be such gifted songwriters yet many of my favorite recordings of theirs are covers, something they have an amazing knack at selecting and reworking.) It's been an emotional roller coaster over the years, corresponding with people all over the world. Meeting total strangers at their house (and mine) to rip bootleg and homemade CDs. (This was pre-YouSendIt, guys!) But when all was said and done, my friend Greg Jelinek and I produced the three albums of which I am most proud, "Kitchen Sink Treasures" Vol. 1 and 2, plus the odds and ends sister CD, "Live, Demos and Remixed." I would offer to share them with my fellow fans, but I understand that Ben Watt himself is none-too-pleased that I've even made them at all (well, OK, a couple of them maaaaaay have wound up on eBay years ago), but I will share the artwork Greg made as I absolutely love it. (Greg actually revised it HERE, but I prefer the original covers.) And Ben, if you're reading this PLEASE release something like this yourself. My vinyl transfers of "I Fall to Pieces," "Don't You Go" and many other obscure songs are just dying to be replaced by remastered versions for which I am willing to spend virtually any amount. (I've traveled the world tracking this stuff down, what's another 100 bucks?) We'd love a new Everything but the Girl album. But even if you don't put one out, you've got enough stuff to keep us satisfied for years to come. Please, don't leave me behind ...





Everything (including the kitchen sink)
Posted by Kenneth M. Walsh at 8:00 AM 12 comments
Labels:
Ben Watt,
everything but the girl,
music box,
Song of the Day,
Tracey Thorn
Wednesday, June 03, 2009
Music Box: Bucks Fizz
Wednesday, June 17, 2009
Music Box: X
It was nearly two weeks ago, but I would be remiss not to mention just how fantastic the X show was at the 9:30 Club in Washington. From the opening chords of "In This House That I Call Home" to the final drum beat of "Because I Do," with my eyes closed I would have been hard-pressed to tell the difference between this show and the one other time I saw them -- at the Devil House in Tempe, Arizona, when they were promoting "More Fun in the New World" back in 1983. While they may look a little worse for the wear -- I think three of them are in their 50s and Billy Zoon is in his 60s! -- the sound was vintage X, led by Billy Zoom's trademark rockabilly guitar, and the plaintive harmonies of John Doe and Exene Cervenka -- the Stevie and Lindsey of punk rock. Unbeknownst to my brother Bill and me, the set list was decided by fans through an online poll. While we were bummed that we'd been victims of voter suppression, when all was said and done we both had to admit that the electorate had done us right. I could have gone home happy with just "Blue Spark" played over and over all night. And Bill had thought he was the only one who lived and died by "The Have Nots" (notice both songs are off "Under the Big Black Sun," which was our first X album, a review copy Bill brought home from his summer job at The Phoenix Gazette in 1982).
The show happened the same week we got word that Exene was suffering from multiple sclerosis. The diagnosis was not mentioned that night, but if her performance was any indication -- and they rocked A LONG TIME -- she's still in fine shape. I won't be waiting another 26 years to see X again, on that you can be sure.Thursday, July 23, 2009
Music Box: Marina and the Diamonds
Posted by Kenneth M. Walsh at 6:09 PM 0 comments
Labels:
Marina and the Diamonds,
music box,
Song of the Day
Wednesday, April 15, 2009
Music Box: Prefab Sprout
Wednesday, March 25, 2009
Music Box: Terry Hall
Considering how I am, it's surprising I've never gotten more obsessive about Terry Hall. His fun hair and acute anhedonia alone make me love him. But then you throw in the fact that he's been a part of some my favorite songs of the last 30 years -- "Ghost Town," "Ain't What You Do," "Really Saying Something," "Our Lips Are Sealed," "Can't Get Enough of You Baby," "Thinking of You" and "Walk Into the Wind" -- you'd think I'd have more than a compilation CD to show for it. Listen to what I mean:Vegas featuring Siobhan Fahey: "Walk Into the Wind"
Fun Boy Three: "Our Lips Are Sealed"
The Colourfield: "Can't Get Enough of You Baby"
The Specials: "Ghost Town"
Bananarama featuring Fun Boy Three: "Really Saying Something"
And here's an exciting update to my Tom Tom Club post from January. Further supporting my belief that you should never give up on old music finally making it into the digital age, it's been reported that in celebration of the 50th anniversary of Island Records, a two-disc deluxe edition of the Tom Tom Club's debut album is about to be released, with the deluxe-ness being the hitherto unreleased "Close to the Bone" album! Unbelievable news. Can Slow Children be far behind?Wednesday, November 26, 2008
Music Box: Aztec Camera
Wednesday, May 27, 2009
Music Box: Sid 'n' Susie


Posted by Kenneth M. Walsh at 9:00 AM 3 comments
Labels:
bangles,
music box,
Song of the Day,
susanna hoffs
Wednesday, October 22, 2008
Music Box: Sex Pistols
I was very young and deeply ensconced in my Olivia Newton-John period the entire time the Sex Pistols were around. (Get serious, people: '77 wasn't THE YEAR of punk. It was THE YEAR "Making a Good Thing Better" came out!) But a few years later when new wave -- punk's sanitized distant cousin -- washed up on the shores of America then swept me out to sea, a lot of the angrier kids I grew up with were still being drawn to Sid Vicious and the gang, so I was more than casually acquainted with "Never Mind the Bollocks," the its impact on music. I tried, but truth be told pseudo-punker chicks like Debbie Harry, Siouxsie Sioux and Chrissie Hynde were always more my speed. (Exene Cervenka was about as scary as I was willing to go!)
But while my interest in the Sex Pistols was tepid, my fascination with Sid's crazy girlfriend Nancy Spungen was boiling over in 1983 when I read Deborah Spungen's harrowing tale of her daughter's life and death, "And I Don't Want to Live This Life." In it, Deborah describes Nancy as someone who spent her life trying to piss people off. Born in the Philly 'burbs in 1958, she said Nancy was difficult from birth: impossible to console, prone to tantrums, hostile, insatiable, demanding, and a bully to her younger siblings. "A 7-year-old ran our household," Deborah wrote. "When she wanted something, no matter how big or small, she hollered and screamed and backed us into a corner until we were the ones to back down. We gave in to her. Why? Because there was absolutely no peace in the house until she got what she wanted." Later, before running off to New York City, Deborah says Nancy attacked her with a hammer. (I remember wondering WHO would ever want to have a baby if this was a possibility?)
But in a fascinating new piece in New York magazine, Karen Schoemer revisits Nancy Spungen, and finds several people who remember her quite differently from the heinous groupie she's been portrayed ("Siiiiiid!") in the 30 years since her murder beneath a sink at the Chelsea Hotel. Schoemer notes that it's been easy to hate Nancy, but asks, has it been too easy? Read the article HERE.
A tribute to Nancy:
The Sex Pistols: 'Anarchy in the U.K.' (which sounds awfully tame today):
Read all Music Box posts HERE.
Posted by Kenneth M. Walsh at 10:00 AM 1 comments
Labels:
music box,
nancy spungeon,
Sex Pistols,
Song of the Day
Wednesday, March 11, 2009
Music Box: Chris Isaak





























