Friday, July 31, 2020
Remains of the Day (07/31)
Posted by Kenneth M. Walsh at 5:09 PM 0 comments
Labels:
2020 presidential election,
coronavirus,
GLAAD Awards,
Remains of the Day,
tweet nothings
The Most '80s Night Ever
Someone on Twitter asked Kathy:
Is Christine McVie the coolest person or what?
To which she replied:
YES
Posted by Kenneth M. Walsh at 5:30 AM 1 comments
Labels:
1980s,
belinda carlisle,
kathy valentine,
molly ringwald,
susanna hoffs
On the Rag, Vol. 617
Posted by Kenneth M. Walsh at 5:20 AM 0 comments
Labels:
briefs,
eliad cohen,
mike ruiz,
On the Rag,
tighty whities
Song of the Day: 'Club Zero' by the Go-Go's
Although they tried to address the inequity on the second and especially third album, the damage had been done. (Their 2001 comeback album, "God Bless the Go-Go's," featured the most diverse writing lineup.) So with that in mind, here’s what Charlotte, Gina and "The Go-Go's" documentary director Alison Ellwood had to say about the new track. (Italics mine.)
For the documentary, the Go-Go's recorded “Club Zero,” their first new song in nearly 20 years. How was that experience like?
Caffey: When we decided we wanted to write an end credits song, it could be cool to all of a sudden have something new. I had just written this music with Anna Waronker and I've worked with her for years. That's what we wanted to write: “Let's do something really up and anthemic and punky and cool.” So here's this music and all of sudden I'm putting lyrics and I'm like, “Oh my God, this is f***ing working.” So I showed it to everybody, everyone loved it. Then we continued on and Kathy, Jane and I finished the lyrics. It's kind of this cool and right for this moment. We didn't even know what was coming when we wrote it like a year-and-a-half ago. We think it's just perfect for the documentary and for this moment right now.
Schock: We all worked on it, got together, went in to record it. We knocked it out in two days, which kind of amazed me because we haven't recorded in 20 years. We went into the studio and two days we were done, backing vocals and all, boom! Done! I was like kicking myself in the butt: “You know what? We really are pros.” I was amazed, no problems at all, and we went in there and kicked ass. Everybody's voice in this band is super important. Without the five of us, it's not the Go-Go's.
Ellwood: I had no idea that they were going to end up writing a new song. I had secretly hoped that they would try to do that. Then once I realized they actually were seriously doing it, I said: “Please let us film you playing around with it, it would be such a great ending for the film.” That's what we shot at the Whisky [in Los Angeles]. It was fun for them to come back to where it all began, once they were pretty big.
The song just popped up on YouTube and I notice Gina didn't receive a writing credit -- which I mention because of her combative track record, suing both Charlotte (over unpaid "We Got the Beat" royalties) and Debbi Peterson of the Bangles (over use of songs they wrote for their short-lived band Smashbox), stating that it’s “not her fault” that Debbi “can’t play her instrument.” (Ouch.) She also calls former House of Schock bandmate Vance DeGeneres (Ellen’s brother) a “total asshole.” Streaming doesn’t pay much, though, so maybe it’s not really an issue anymore.

Posted by Kenneth M. Walsh at 5:15 AM 1 comments
Labels:
Charlotte Caffey,
Gina Schock,
go-go's,
Song of the Day
Page 1 Roundup (07/31)
Posted by Kenneth M. Walsh at 5:05 AM 0 comments
Labels:
coronavirus,
Harvey the Cat,
Hot Cat of the Day,
newspapers,
Page 1
Thursday, July 30, 2020
Remains of the Day (07/30)
Posted by Kenneth M. Walsh at 2:36 PM 0 comments
Labels:
2020 presidential election,
coronavirus,
donald trump,
Remains of the Day,
tweet nothings
Yohancé Salimu: The Real Enemy Was Always Poverty
At age 14, I ran away, but not from home -- because I never had one to begin with. At school I participated in every sport, club, and after-school activity, so that when the other kids finally left, I could settle in for the night by my locker. I spent my childhood dealing with gangs, drugs, violence, and my mother's mental illness, but the real enemy was always poverty.Eric Sondheimer of the Los Angeles Times writes: "This story is shocking for its honesty. It might need a warning label before parents allow their teenagers to read. But it's a compelling read and one that provides insights into today's daily struggles for families seeking a path to a better life."
I was curious what that might mean -- as horrifying as gangs and violence are, they usually don't elicit this kind of warning -- then a friend who has already read the book wrote to say:
"Underprivileged Overachiever" has one surprise chapter. This handsome hunk picks up a pretty girl and they go back to her place. They have sex -- and she is really a gay male cross dresser who rapes him. It’s a humbling moment in his life ... he’s very forthcoming about it and the episode is related without homophobia.Pre-order your copy HERE.
Mask4Masc: Men's Tennis Edition
Posted by Kenneth M. Walsh at 5:20 AM 2 comments
Labels:
jan-michael gambill,
Mask4Masc,
Robert Farah,
Stan Wawrinka
Song of the Day: 'I Go Crazy' by Flesh for Lulu
With thanks to my brother Terence, who shared this '80s favorite the other night on Facebook. Two notable things come to mind about this song:
1. I loved it so much I bought the 45, which is in a box on the shelf in my bedroom closet, the only remnants of my million-dollar record collection.
2. It was on the soundtrack to the first John Hughes film I didn't see in the theater, after a remarkable run of teen classics. I was already in college by the time "Some Kind of Wonderful" came out, which was probably part of the reason. And not unlike the producers of "Back to the Future," Eric Stoltz -- out of a craniodiaphyseal dysplasia makeup, at least -- never did anything for me. (Ditto for Mary Stuart Masterson and Lea Thompson.)
Years later, I ended up loving a show he was on called “Out of Order,” which featured an eclectic cast including Justine Bateman and Peter Bogdanivich. Why wasn’t that picked up for more than six episodes. (At least the subway ad campaign stuck around a few years.)
Posted by Kenneth M. Walsh at 5:15 AM 2 comments
Labels:
eric stoltz,
flesh for lulu,
Song of the Day
Page 1 Roundup (07/30)
Posted by Kenneth M. Walsh at 5:05 AM 0 comments
Labels:
go-go's,
Hot Cat of the Day,
newspapers,
Page 1
Wednesday, July 29, 2020
Remains of the Day (07/29)
Posted by Kenneth M. Walsh at 3:10 PM 0 comments
Labels:
2020 presidential election,
Remains of the Day,
tweet nothings