Wednesday, September 16, 2026

Pop Pilgrimage

 

Hey, guys! Expect blogging to be lighter than usual the rest of the week as Damian and I travel across the pond for not one but two concerts that aren't slated to make it stateside. First up, we're catching my beloved Saint Etienne on what's being billed as their final tour. (If you haven't heard the goodbye album, "International," give it a listen. First Tennis and now this? Not sure why all my female-fronted indie dance bands are calling it quits so young.) 

From there we're planning to visit Stonehenge and explore Wales, home of the Darling Buds, who sadly just finished a reunion tour. (Is this a good time to mention that I was working at an unnamed newswire service in 1997 when an editor accidentally "replaced all" his way to a "Diana, Princess of Whales Dies in Auto Accident" flash?!)


We're closing out the whirlwind visit by seeing Altered Images perform their debut album, "Happy Birthday," in its entirety to mark its 45th(!) anniversary. I remember my brother Bill bringing the album home from the University of Arizona and being instantly obsessed. (I'd spend hours watching MTV, praying "I Could Be Happy" would come on -- my favorite video of theirs.) Clare Grogan and her band, of course, have never played in the U.S., so this has literally been a lifetime in the making.

As big a superfan as I can be, this outing is a bit out of character. But as our idols exit the stage one by one, I decided to capitalize on the moment before they too join the list of "Dead Pop Stars."


This outing started as a birthday trip for my hubby to Edinburgh and Belfast, but work commitments forced us to move it up a bit, so we're running with it. Have a great week, and I will be posting a lot on Instagram before updating things here. xo

Tuesday, September 15, 2026

Loenzo Musetti Signs Package Deal With IUMAN Underwear

 

First they got Haas, RafterVerdasco, Tipsarevic (woof!), NadalBerrettini, Alcaraz (maybe a little prematurely). Dimitrov (schwing!). Fritz, Fognini, PellegrinoVavassori and Bolelli. But somehow it feels like it was all building up to the moment when Italian sexpot Lorenzo Musetti dropped his drawers for IUMAN. See what I mean BELOW.

Tennis Tuesday

 

U.S. Open fans aren't exactly known for being hard on the eyes. See what I mean BELOW.

Monday, September 14, 2026

Remains of the Day (09/14)



















Sunday, September 13, 2026

Weekend Tennis Roundup

 

Alexander Zverev treated Ben Shelton like one of his girlfriends; Elena Rybakina reduced Aryna Sabalenka to ... Aryna Sabalenka; and two gay men competed against each other for a Challenger title in Austria. Full report plus all the ATP beef that's fit to post BELOW.

Friday, September 11, 2026

The True Story of the Original Beefcake Calendar


Back in 1987, I made my motion picture debut in was an extra in “Campus Man,” a comedy filmed largely on the campus of Arizona State University while I was a student there. I’ve written about the experience before -- I spent about 10 hours filming a pool scene that went until roughly 4 in the morning, only to discover that I’m not actually visible in the finished movie.

What I didn’t fully appreciate at the time was just how closely the film was connected to a real bit of ASU history.

I knew “Campus Man” was inspired by an actual all-male pinup calendar, which I later learned was created by ASU student Todd Headlee and five friends in 1980. Each chipped in $1,000 to produce the first edition, the 1981 “Men of ASU,” featuring 12 male ASU students.

And apparently they knew their market. A 1982 Time magazine article described Arizona State as a “Sunbelt country club,” where modeling agents regularly scouted the abundance of good-looking students. (I can vouch for the abundance.) The first 5,000 copies of “Men of ASU” quickly sold out.

What I didn't know is that the venture also produced some unexpected complications. In 1981, ASU football player Scott Lewis, who had appeared in the calendar and subsequently took professional modeling jobs, was declared ineligible after his modeling work was found to conflict with NCAA rules, causing him to lose his scholarship. 

According to the State Press, the campus newspaper I later reported for, Lewis said the athletic department had initially told him his modeling would not jeopardize his eligibility.


Scott Lewis lost his football scholarship but gained a modeling career.

That real-life episode became the inspiration for “Campus Man.” In the film, the calendar leads to an opportunity that jeopardizes the amateur standing of its star model, champion diver Brett Wilson, echoing what had happened to Lewis.

Meanwhile, Headlee -- himself Mr. April in the first calendar -- bought out his original partners, borrowed money and spent $5,200 on an ad in Playgirl for the 1982 edition. The gamble paid off, generating some 10,000 orders from around the world. After graduating, he loaded calendars into his van and hawked them at colleges in 19 states, eventually selling 27,000 copies at $4.95 apiece.

As the calendar's popularity grew, so did its scope. What began as “Men of ASU” evolved into “Campus Men USA,” with models recruited beyond Arizona State and the calendar marketed to a national audience. By the 1983 edition, it was no longer simply a collection of ASU students, but a broader assortment of college-age models from around the country.

A few years later, Headlee's entrepreneurial story made its way to Hollywood. “Campus Man” fictionalized the circumstances, with John Dye (RIP) playing Todd Barrett, a business student who needs $10,000 to stay in school and comes up with the idea of producing a beefcake calendar featuring male athletes to raise the money. (Ironically, I vividly remember my mom’s leaving a check for $850 on the counter for my tuition one semester, so I’m surprised he even needed to be so ingenuitive!)

Steve Lyon plays his reluctant star model, diver Brett Wilson, with Kim Delaney, Kathleen Wilhoite, Miles O'Keeffe (whose turn as Tarzan in 1981 didn't exactly encourage me to be straight) and Morgan Fairchild rounding out the cast.


Lights, camera, action: The Mona Plummer Aquatic Complex. Let me know if you see me!



This scene where the boys meet Morgan Fairchild as the editor of Image magazine was filmed at the Embassy Suites on South Rural Road in Tempe, which I thought was the height of glamour back in the day! 


Steve Lyon stole the film as diver Brett Wilson

Which brings me to the reason for this post: After years of wondering about the calendars at the heart of this tale -- quaint as it all seems by today's OnlyFans standards -- I recently came across the complete 1983 “Campus Men USA” edition, along with the cover photo from 1982. 

See them all -- the real calendar men behind the movie I spent one very long night trying to be in -- plus an interview with its then-straight(!) creator BELOW.