Showing posts with label alice ripley. Show all posts
Showing posts with label alice ripley. Show all posts
Thursday, February 27, 2020
Alice Ripley Returns to 54 Below
The inimitable Alice Ripley will be performing March 4 and 5 at Feinstein's/54 Below. A little bird tells me the set may include songs that crossed over from Broadway to pop -- and songs that should have. (Consider me intrigued!) Tickets HERE.
Wednesday, August 21, 2019
Page 1 Roundup (08/21)
The Daily News: Brooklyn's famed Di Fara Pizza shut down amid tax woes
Queens woman sentenced to 23 years in prison for hacking aunt to death with meat cleaver, raping underage relative
Instagram: I'd sure like to impregnate Matthew
Towleroad: Our men in uniform died for this?
Lucky Pierre: I wonder if my [insert body part here] will look like this when my shirt arrives
Lucky Pierre: I wonder if my [insert body part here] will look like this when my shirt arrives
Boy Culture: Trump says Jews who vote for Democrats show ignorance, disloyalty
You know you've made it as an A-gay when ...
You know you've made it as an A-gay when ...
She wore this ridiculous skintight romper through the streets of Manhattan and you'll never guess what happened
Instagram: Singer Maria McKee further explores her coming out process, laments finding it more difficult to connect with people in her native Los Angeles than her adopted London
Instagram: Singer Maria McKee further explores her coming out process, laments finding it more difficult to connect with people in her native Los Angeles than her adopted London
NBC News: We're officially the laughing stock of the world
Michelangelo Signorile: Trump has a devastating record on LGBTQ rights. Don’t deny the truth.
Twitter: Yet somehow he still finds time to enact heinous policies
The Washington Post: Elizabeth Warren just met her look-alike at a rally. Can you tell them apart?
Michelangelo Signorile: Trump has a devastating record on LGBTQ rights. Don’t deny the truth.
Twitter: Yet somehow he still finds time to enact heinous policies
The Washington Post: Elizabeth Warren just met her look-alike at a rally. Can you tell them apart?
The Randy Report: Michael Henry asks, "Are you a gentleman?"
Vox: After losing appeal, Dumpster rapist Brock Turner must register as sex offender for life

The New York Times: NRA gets results in one phone call with Trump
She beat cancer. Now, she’s in another fight for her life.
Frozen-food heir(ess) Tucker Carlson’s Fox News show loses more advertisers

The Wall Street Journal: Japan’s digital pop stars blur line between virtual and reality
The New York Times: NRA gets results in one phone call with Trump
She beat cancer. Now, she’s in another fight for her life.
Frozen-food heir(ess) Tucker Carlson’s Fox News show loses more advertisers
The Wall Street Journal: Japan’s digital pop stars blur line between virtual and reality
Posted by Kenneth M. Walsh at 5:05 AM 0 comments
Labels:
alice ripley,
john travolta,
maria mckee,
newspapers,
Page 1
Thursday, April 07, 2016
Going 'Psycho' for Benjamin Walker
"American Psycho" on Broadway
I think I like his Patrick Bateman better than Christian Bale's! More HERE.
Posted by Kenneth M. Walsh at 6:11 PM 1 comments
Labels:
alice ripley,
Bret Easton Ellis,
briefs,
broadway,
theater,
tighty whities
Monday, February 22, 2016
Alice Ripley to Play Patrick Bateman's Mom(!) in 'American Psycho' Musical
Tuesday, April 30, 2013
'Sing Along' Has Its World Premiere
I didn't make it to the Broadway-centric premiere of "Sing Along," a short film I have been championing for some time now. But Broadway.com has details HERE!
Monday, February 25, 2013
Bright Lights, Big Singing
Last summer I wrote about "Sing Along," a short film about a sheltered boy with a dream of starring on Broadway, who survives day-to-day life by imagining the world as a musical. Mark Oxman's film reached its Kickstarter goal, and the trailer is now up and running. Enjoy!
Synopsis: Like many his age, Stephen (Myles Erlick) is a kid with a big dream -- to star on Broadway one day.Unfortunately, the 14-year-old is so shy, he is afraid to speak to others and when he does, he stutters uncontrollably. Still, he cannot turn his imagination off, picturing the scary world as an upbeat musical with with singing cafeteria ladies (Uzo Aduba) and history tutors (Sam Tsui). And while teacher (Heidi Blickenstaff) supports him, his mother (Alice Ripley) is less than encouraging, pointing out that a career in musical theater is destined for failture. Will she ever understand that being creative is not something that can be compromised? And what will happen if he forces himself to shut off his talent?
Official site HERE.
Posted by Kenneth M. Walsh at 3:15 PM 0 comments
Labels:
alice ripley,
films,
movies,
short films,
video
Friday, July 06, 2012
Hee Haw: It's Alice Ripley!
For all of you Alice Ripley fans, I've got two exciting bits of news for you. The Tony-award-winning actress/singer will be playing this coming Monday, July 9, at 8 p.m. at the Pink Elephant, 40 W. 8th St. She will perform an intimate acoustic set, including songs from her "Daily Practice" album. This new venue is located where the legendary Bon Soir night club was -- where Barbra Streisand, Joan Rivers, Phyllis Diller and others got their start. Doors open at 7 p.m. For ticket information, click HERE.
Meanwhile, Alice -- as well as fellow Tony winner Levi Kreis (Jerry Lee Lewis in "Million Dollar Quartet"), Uzo Aduba ("Godspell") and Myles Erlick ("Billy Elliot") -- have signed on to appear in "Sing Along," a short musical film about a introverted 14-year-old boy who survives day-to-day life by imagining the world is a musical. (I'm guessing creator Mark Oxman loosely based this on every gay guy's childhood!) The film will feature original songs by award-winning composer Ron Wasserman. For more information, including details of the upcoming Kickstarter effort, click HERE.
I've always thought it would be incredible if Alice did a cover of Simon and Garfunkel's "The Only Living Boy in New York." Might this film inspire Alice to make my wish come true on Monday?
And if you dare, watch this video to find out about Alice's secret past as the Joyce DeWitt of "Hee Haw," and why a girl from Dayton with an insincere smile would have made the ultimate Eva Peron.
Friday, April 20, 2012
Ripley Rocks the Metropolitan Room
My friend Ken (the pilot) and I went to see Ripley (the band) earlier this week at the Metropolitan Room, my second time seeing the Tony-award-winning Alice Ripley live in concert. Last time around, the guitar-wielding actress/songstress was accompanied by just keyboardist and friend of the (212) Christopher Schelling, but on Monday the stage was at near-capacity, with Christopher, bassist Steve Millhouse, drummer Shannon Ford, plus (adorable) special guest percussionist Nick Cearley. (Only special guest cellist Lauren Molina was missing from the party -- her bail revoked, perhaps?)

After promising Ken, a true child of the '70s, a potpourri of covers by his favorite artists of the decade -- Alice is a sucker for Carole King, Cat Stevens, Jackson Browne, the Eagles and did songs by all of them when I saw her in January at the Laurie Beechman Theater -- Alice threw me curve both physically (what a bod!) and musically, playing mostly songs from her extensive theater repertoire -- "The Who's Tommy," "Side Show" and "The Rocky Horror Show" (but not, unless I'm mistaken, "Next to Normal") -- and originals recorded as a solo artist, and with Ripley (the band).

Opening with "Science Fiction/Double Feature" from "Rocky Horror" -- a show that I, for some reason, find intolerable -- was a pleasant surprise, as it allowed me to fully appreciate the music away from the spectacle. "Who Will Love Me as I Am?" (from "Side Show") was next, which I later learned was a last-minute addition to the set list, after Alice discovered its lyricist, Bill Russell, was in attendance. (No one was complaining.) A nice cover of Elvis Costello's "Beyond Belief" (the opening track on "Imperial Bedroom") was her one nod to the world of classic pop music, which was followed by the evening's strongest moment, their "Tommy" medley. (Her "Pinball Wizard" is two for two in giving me goose bumps.)

My favorite originals of the night are both from the band's "Outtasite" album: "Miss America" and "When I'm Olde," an ode to a former flame with whimsical lyrics that reminds me a bit of Maria McKee. (Alice says she threw the "e" in for fun, but warns that anything with an extra one added to the end is just a ruse to jack up the price!) Despite the abundance of actual showtunes being performed, the stage got even more dramatic during the band's new single, "Beautiful Eyes" (info HERE), which Liza Minnelli would be foolish not to cover herself.

Afterward, Christopher invited us to come "backstage" to meet the evening's star, who was exhausted from giving a great performance, yet couldn't have been more lovely. We thanked her for a wonderful show -- Ken absolutely adored every second of it -- then were joined by Bill Russell and Christopher's boyfriend, Augusten Burroughs, who was also in the house. Alice returns to the Metropolitan Room on Sunday, May 27 at 7 p.m. For ticket information, click HERE.
Ripley set list
(Metropolitan Room, April 16, 2012)
Science Fiction/Double Feature
Who Will Love Me As I Am
Beyond Belief
Tommy Medley
Sky
Romeo
Beautiful Eyes
When I'm Olde
She Keeps Her Love Away
Miss America
For Your Art
Violet Tree
Humiliating Circumstances
Outtasite
Posted by Kenneth M. Walsh at 9:30 AM 0 comments
Labels:
alice ripley,
concerts,
music,
reviews,
Song of the Day
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