Showing posts with label Paul Simon. Show all posts
Showing posts with label Paul Simon. Show all posts
Sunday, September 23, 2018
There Went Rhymin’ Simon
Bittersweet evening seeing the great Paul Simon tonight in Queens for the final performance on his farewell tour, wishing my brother Bill were here like he and Terence were for Art Garfunkel in 2015. Bill introduced us to Simon and Garfunkel as kids -- we’d play their albums constantly in our basement on 13 Mile while hanging out or playing table tennis -- and the love never faded.
The show opened with "America" -- perhaps my favorite Simon and Garfunkel song -- "50 Ways to Leave Your Lover" and "The Boy in the Bubble" and while the middle was a little heavy on some of Simon's post-peak solo years, didn't disappoint. "Kodachrome" and "Late in the Evening" got the crowd really going, yet no one sat for ever the most somber of songs. "Rene and Georgette Magritte" was a very pleasant surprise -- "Hearts and Bones" is an unsung masterpiece -- and the final encore including "Homeward Bound," "The Boxer, ""American Tune" and "The Sound of Silence" were a stern reminder of why Simon is one of the preeminent songwriters of all time.
Always a pleasure with my Damian, There's only one way the night could have been more perfect.
Friday, August 31, 2018
Song of the Day: 'Let Me Live in Your City' by Paul Simon
Music history is littered with brilliant songs that didn't start out as good. "That's Jungle for You" -- the original refrain from became Culture Club's delightful "I'll Tumble 4 Ya" -- "You Always Hang Around" -- the inferior first take of the Breeders' "Divine Hammer"and "The Disco Song" -- the heartless first crack at Blondie's "Heart of Glass" and the so-wrong demo of the Pretenders' "Brass in Pocket," where Chrissie sings "you're special, so special" -- quickly come to mind. But I think this early version of Paul Simon's "Something So Right" might be the biggest improvement of them all. It's not that there's anything wrong with it. It's just the idea of there not being a song so optimistically unoptimistic makes me shudder.
When something goes wrong
I'm the first to admit it
I'm the first to admit it
But the last one to know
When something goes right
Well it's likely to lose me
It's apt to confuse me
It's such an unusual sight
I can't get used to something so right
Something so right
When something goes wrong
I'm the first to admit it
I'm the first to admit it
But the last one to know
When something goes right
Well it's likely to lose me
It's apt to confuse me
It's such an unusual sight
I can't get used to something so right
Something so right
Can you think of any songs that got major overhauls for the better?
Thursday, August 30, 2018
Song of the Day: 'Diamonds on the Soles of Her Shoes' by Paul Simon
Few songs make me as happy as this romantic ditty does.
And she said honey take me dancing
But they ended up by sleeping
In a doorway
By the bodegas and the lights on
Upper broadway
Wearing diamonds on the soles of their shoes
But they ended up by sleeping
In a doorway
By the bodegas and the lights on
Upper broadway
Wearing diamonds on the soles of their shoes
I haven't had the guts to look at the upcoming setlist to see if it made the cut.
Wednesday, August 29, 2018
Song of the Day: 'He Was My Brother' by Paul Simon
Finally broke down and bought tickets for Paul Simon's upcoming "Homeward Bound" farewell tour. Wish to God I were going with my brother Bill -- who introduced Terence and me to Simon and Garfunkel in the basement of our house on 13 Mile Road when we were boys -- but I will just have to cherish the memory of the Walsh brothers seeing Art at Carnegie Hall in 2015 before life was irrevocably changed for the worse. Hard to believe it's my first time seeing Paul.
Monday, February 05, 2018
Remains of the Day (02/05)
Newsweek: Wasn't it awful when the police used tear-gas and billy clubs on people rioting in the streets of Philadelphia last night after the Eagles won? Oh, wait -- they didn't. They were just white "revelers"
NewNowNext: Is this why my friend had three transgender kids in a class he taught of 15?
KIT212: Christie Brinkley's son is incredibly fuckable
Matthew's Island of Misfit Toys: Gratuitous shirtless football photos
The Gay Almanac: Will this sour gays on their Costa Rica vacations?
The Daily News: Did Newsweek fire its editor-in-chief, deputy editor and 3 reporters in retaliation for negative coverage?
The New Yorker: How to survive a cold
Greg in Hollywood: Now that's what I call a sexy back ... and front
The Washington Post: Dow drops more than 1,500 points in second day of significant market sell-off
Baseline: Genie Bouchard is officially a less-focused Anna Kournikova -- but with better taste in men
My New Plaid Pants: You would be so nice to come home to, Mark Ruffalo
Sun-Sentinel: Move over, sharks, gators and dolphins: Manatees are having their moment in pop culture
Boy Culture: Why that "Call Me by Your Name" dance scene was so painful to film (or does he mean watch?)
The Ellen Show: Gus Kenworthy is still ridiculous adorable, bruises and all
Brooklyn Vegan: Paul Simon announces "Homeward Bound" farewell tour
The Film Experience: "Jumanji" and "Showman" won't quit at the box office
Posted by Kenneth M. Walsh at 4:09 PM 1 comments
Labels:
black lives matter,
chris long,
Hot Cat of the Day,
Jayne County,
Paul Simon,
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Remains of the Day
Thursday, December 29, 2016
Song of the Day: 'Hearts and Bones' by Paul Simon
Was surprised so many of my colleagues (even of a certain age) didn't realize Carrie Fisher had been married to Paul Simon. Although one called it a "two-second" marriage, they were actually a couple for 13 years on and off, even after the divorce. Paul wrote a number of songs about Debbie and Eddie's girl, but this one is surely my favorite of them all. Carrie said it best: "If you can get Paul Simon to write a song about you, do it. Because he is so brilliant at it."
Tuesday, October 06, 2015
Suddenly Crazy After All These Years
For my reader who wanted to know when Art Garfunkel became Ed Koch, I give you Paul Simon and his oh-so-natural new face. Yikes.
Friday, October 31, 2014
Song of the Day: '50 Ways to Leave Your Lover' by Paul Simon
Had such a fun time at John Cameron Mitchell's Mattachine party at Julius' last night. John and Fred Schneider of the B-52s co-DJ-ed -- to great effect with Paul Simon ("50 Ways"), Andy Gibb ("I Just Want to Be Your Everything"), Melissa Manchester ("You Should Hear How She Talks About You"), INXS ("Don't Change") and every other song you wish a bar would play but they don't -- but it was the delightful crowd that made it so great, like Jorge Clar (above), who divides his time between being an editor, BLOGGER and make-it-up-as-you-go-along nutritionist to clients such as Scooter LaForge. What a night!
Monday, April 28, 2014
50 Ways to Heave Your Lover
Paul Simon and wife Edie Brickell were holding hands as they appeared in court today over the Saturday dispute at their New Canaan, Conn., home, in which the two apparently shoved each other during an argument and Brickell’s mother called police. A judge let the two leave without putting in place a protective order. The couple is due back in court May 16. Read HERE.
Monday, March 31, 2014
Simon & Simon
THIS is tonight. It sounds pretty incredible, although I am not going. (Rub it in my face if you do.)
Monday, June 25, 2012
Song of the Day: 'The Boy in the Bubble' by Paul Simon
Haven't caught "Under African Skies," the documentary about the making of Paul Simon's landmark "Graceland" album, yet. (And would you believe I didn't even put it in my Top 10 albums in 1986? Debbie Harry's "Rockbird" topped the list!) But I've seen the trailer and the songs from it are in heavy rotation before movies at the Angelika -- and this is one of my favorites.
Friday, October 10, 2008
Paul Simon: 'Hearts and Bones'
The heart-stirring title track from Rhymin' Simon's nearly perfect 1983 album. "Train in the Distance" is a must-have song, too.
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