Confession: My obsessive-compulsive tendencies got the better of me yesterday, as I went through eight years’ worth of Song of the Day posts fixing videos that had expired or had been removed. (If my math is correct, that's 2080 posts.) Don't get me wrong, though. Although I'm not sure how many of my readers enjoy my music posts, I was in heaven remembering all of the songs I have selected over the years -- and the stories behind them. Although I didn't remember this, it turns out, surprise, Blondie was my first Song of the Day -- "Atomic" was posted June 4, 2012 -- and I haven't looked back, using the daily feature as a vehicle to share new and old music, concert memories and the like.
This week a reader sent me a article from the Guardian about the making of Prefab Sprout's "Steve McQueen" -- or "Two Wheels Good," as I knew it the summer I graduated from high school in the U.S. -- featuring interviews with singer/songwriter Paddy McAloon and producer Thomas Dolby.
I was completely blown away the first time I played it. Their debut EP -- my brother Bill brought home ""Lions in My Own Garden (Exit Someone)" from college -- and album ("Swoon") were quirky and intriguing. But the sophomore album was like nothing I'd ever heard before, so lush and anthemic -- who could write a song how bored angels must get?! -- with all of the wordplay and cleverness of Lloyd Cole, completely affected yet somehow less pretentious. (Perhaps inevitably for an 18-year-old aspiring pseudo intellectual, I foolishly tried to imitate McAloon's stream-of-consciousness writing style in a poetry class that fall that left my professor scratching his head. "This is truly awful," Kenny.)
I could have picked any of the songs from the album for today -- "Faron Young," "Bonny," "When Love Breaks Down" are all classics -- but went with "Johnny Johnny," which was what the epic "Goodbye Lucille #1" was renamed when the label decided to release it as a single.
McAloon says it was written in waltz time, but turned into something serious, which is an understatement to young lovers everywhere. (The lyrics "You're not the first, but it hurts/Life's not complete till your heart's missed a beat/And you'll never make it up, or turn back the clock/No you won't, no you won't" sure came in handy when Derek broke my heart three years later.)
"Most breakup songs were sad or accusatory," McAloon recalled, "but I straddled the viewpoints of both the intense guy and the girl breaking up with him." ('She’s a person too" probably seemed like quite a concession, even in 1985!)
Learned two things when posting this old favorite by the Sprouts. Steve McQueen's daughter objected to the album being named after her father -- it was changed to "Two Wheels Good" in the U.S. -- and Faron Young's family objected to the album track named after the singer, so it was changed to simply "Faron" in the States. Question: What is wrong with people????
As much as I mourn the death of the record store, there's no denying the huge door the Internet has opened for obsessive music collectors. Not only have I been able to track down even the rarest of rare import CD singles and out-of-print Japanese-only albums, the stealth nature of online music has even allowed me to get my hands on items that heretofore would have been unthinkable: infamous shelved albums and tracks. From unreleased Romeo Void demos from a 1993 comeback attempt and Susanna Hoffs' aborted 1994 sophomore effort (known as "The Wallace Album," for Matt Wallace's production), to Debbie Harry's take on Stock Aitken and Waterman's "Mind Over Matter" and Blondie's comeback collaboration with Duran Duran, "Studio 54" and "Pop Trash Movie," I can't imagine how I would have gotten any of these if not for the Web. As successful as I've been there are still a number of things that still elude me, namely "Apocalypso," the third album by the Motels that was rerecorded and renamed "All Four One" with some songs substituted (Capitol released a wonderful expanded version of that album with four of the lost tracks, but sadly "Sweet Destiny" has never appeared anywhere, nor have the original versions of four of the other original songs), "Trash Mad," Clare Grogan's 1987 post-Altered Images solo debut, and "Electric Nebraska," the plugged-in version of Bruce Springsteen's 1982 classic.
Maybe the only thing better than finding a fabled unreleased album (did you know Adam Ant has a lost solo album too?) is buying the new album by a favorite group only to find out it is, in fact, the Beach Boys "Smile" of their career that you never even knew existed. That's exactly what happened when I got Prefab Sprout's new disc, "Let's Change the World With Music," which I heard about where I find out about all my "new" music, RememberTheEighties.com. Along with the Style Council and Everything but the Girl, Prefab Sprout were THE quintessential Kenny band in high school, one I'm sure I took an even greater interest in because hardly anyone else knew about them.
Like most of my faves, it all began with my brother Bill's bringing home a record from college, in this case the band's 1983 four-song EP, featuring "Lions in My Own Garden (Exit Someone)," "Radio Love," "The Devil Has All the Best Tunes" and "Walk On." While Bill liked it, I think he was soon on to the next group (Aztec Camera, maybe?) while my obsessive collecting had just begun. (Buying gatefold picture sleeve singles from here to London and back.)
Their full-length debut, "Swoon" featured the instant classics "I Couldn't Bear to Be Special" and "Cue Fanfare" (could anyone but Paddy McAloon write a catchy pop song about chess champ Bobby Fischer?!). Then with Thomas Dolby at the helm, "Steve McQueen" (aka "Two Wheels Good") only upped the ante, as "When Love Breaks Down" finally became a bonafide hit, "Goodbye Lucille (Johnny Johnny)" ripped my heart out and "Moving the River" was the poem I always dreamed I could write. The stylistic change of "From Langley Park to Memphis" threw me for a loop, but when I finally warmed up to it, it was a full-on love affair. "The Golden Calf" might not sound like them, but it may well be their finest moment (how's that for a compliment?), and "The King of Rock 'n' Roll," "Cars and Girls" and "Hey Manhattan" deserved all the attention they got. Ironically (or was their label just a bunch of pricks?), "Let's Change the World With Music" wasn't even the first time the Sprouts had an album rejected by the suits. The real follow-up to "Two Wheels Good" was actually "Protest Songs," an oft-bootlegged album recorded in '86 that finally came out in 1989. Some say it's not their finest hour, but I like its low-key style and would argue that any best-of collection would easily require a minimum of three songs from it, including their ode to the princess "Diana."
By the time "Jordan: The Comeback" came out in 1990, I wasn't sure what format I was buying music in. When I finally got around to buying the CD I was leery of it all -- 19 songs in four "chapters"? How could I have possibly predicted it would be the band's masterpiece, a fearless concept album on which McAloon tackles his three favorite subjects -- God, Elvis and heartache. I must confess something: I hesitate to put this disc on in my house because whenever I do, it becomes a quasi-religious experience ("Scarlett Nights"), something I will play over and over and over for weeks on end. No other album affects me so. (Blame it on "Jesse James Symphony" and "Jesse James Bolero" ... and if you ever get your shit together, Albany, the "Wedding March" is all mine.)
After something so moving and so epic, it seemed to make sense that it would take seven years for a follow-up. (Who wouldn't be exhausted after that epic of an album???) But what a disappointing one 1997's "Andromeda Heights" was. The songs are a little less sophisticated and a lot more more syrupy, but it's the Kenny G-style saxophone that ruins nearly half of them, giving them an easy listening sheen they desperately do not need.
But alas, it wasn't true. The actual follow-up to "Jordan: The Comeback" was a mere two years later, when "Let's Change the World With Music" was composed and recorded as a demo back in 1992, but rejected by the record label. It's now out -- remastered by Calum Malcolm in 2009 with insightful liner notes by Paddy in which he explains how it was nearly his "Smile" -- and proves to be the glorious missing link in the Prefab Sprout discography.
A few years ago, my friend Greg Jelinek and I set out to produce the ultimate Prefab Sprout rarities CD. The 43-song "Mine All Mine" was the end result, an epic collection of b-sides, outtakes and live tracks that still makes me wonder how this many good songs could have been left off the band's proper albums. That I never got to see them live is high on my list of musical regrets. (FYI: There's a great fan site is HERE.)
Here's "Golden Calf" by Prefab Sprout, one of my favorite songs off the group's "From Langley Park to Memphis" album. I've been a HUGE Prefab Sprout since "Lions in My Own Garden (Exit Someone)" and still think they're one of most underrated bands of the 1980s.
People : Shocked to hear that Patrick Muldoon, of "Days of Our Lives," "Starship Troopers" and "Melrose Place"...
Fake Jan Alert
My blog is featured in Susan Olsen's tell-all about the ill-fated "Brady Bunch Variety Hour"!
Little Kenny
Growing up in Madison Heights, Mich.
Back to the Old House
The Web leads to an unexpected return to a house I grew up in.
Oceans 11
Carlsbad, Calif. (2008)
1983
Go Behind the Music of my high-school band, A La Plage
A Death in the Family
Little Larry left us too soon.
Once I Had a Love
With Debbie Harry
'Jungle' Fever
With Robert Buckley
Roger & Me
With Roger Federer
Step Brother McMullen
With Ed Burns
Headline News
With Thomas Roberts
Disclaimer
The views expressed on this blog belong to me -- and me alone -- and are not a reflection of my employers past, present or future.
All photos are shared under the fair use doctrine (17 U.S.C. § 107). If you would like any image removed, please contact me and I will promptly comply.
