
Us Weekly and its copycats quickly reinvented celebrity photography, eschewing production stills and party pictures in favor of snapshots. But they didn’t only go for red-carpet fashion photos, or the gotchas that come along once in a lifetime: Gary Hart with Donna Rice, Kate Moss with cocaine. Instead they focused on the mundane: stars in supermarkets, dog parks, parking lots. In all that natural light they looked indistinct, sometimes homely. At first I thought, who cares? But then the magazines taught me to care, and mistake the new unkempt images for intimacy, if intimacy is something I might achieve by rooming with a celebrity at a mental hospital. (Read the full article HERE.)
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